Restoring the Spirit: Celebrating Haitian Art is a landmark survey of Haiti’s complex visual traditions from 1940 to the present, a portrait of its artists’ devotion to creative endeavors in the face of national adversity.
Through sketches, drawings, costume designs and videos of performances, this exhibition examines one of the most glamorous moments of modern international theatre, thus bringing together for the first time the theatrical output of some of the greatest contemporary designers.
"On Reading", a series of photographs made by legendary Hungarian photographer Andre Kertész in Europe, Asia, and the United States over a fifty year period, illustrates the artist's penchant for the poetry and choreography of life in public and also private moments at home, examining the power of reading as a universal pleasure.
Over the past three decades, the art of Cuba has had a remarkable impact on emerging global contemporary art. Drawing on a variety of experimental, conceptual, and postmodern strategies, contemporary Cuban artists have challenged accepted artistic and political discourse not only in their own society but in the international arena, reversing conventional art-world notions of “center” and “periphery” and embodying a provocative, ironic, and omnivorously critical approach.
Cuba Avant-Garde encompasses the full scope of contemporary Cuban art beginning with the crucial period of the early 1980s, which saw the resurgence in artistic production and political openness that marked the birth of “New Cuban Art.”
This ambitious exhibition presents a chronological survey of the Greenes’ lives and careers over a nearly 90-year period. Representative objects from 30 of the brothers’ commissions, including significant examples from the best-known period of their work between 1906 and 1911, explores important points in the evolution of their unique design vocabulary. In all, the show features approximately 140 objects from the collections of The Huntington, the Gamble House, and other private and institutional lenders. Many of the works on view have never before been seen by the public. Included are examples of beautifully inlaid furniture, artfully executed metalwork, luminous art glass windows and light fixtures, and rare architectural drawings and photographs.
Widely regarded as Japan’s greatest living photographer, Eikoh Hosoe explores the strata of the human subconscious through a powerfully evocative use of visual metaphor. META, a retrospective exhibition spanning three decades, presents ten different chapters of Hosoe’s innovative work, charting his remarkable evolution as an artist whose iconoclastic images have consistently questioned the identity of the individual in Japanese society.
“I have some pictures tonight, and will have more tomorrow…”
—Walker Evans, from a handwritten note to Ernest Hemingway
These cryptic words, from Evans, the great American photographer, to Hemingway, the great American writer, are part of a mystery that is only now coming to light. A friendship between Evans and Hemingway began in Havana in May 1933. The three weeks they spent together in Cuba left a lasting imprint on both men. The events they witnessed, the political upheaval they observed, and their numerous late-night discussions persuasively affected both of their sensibilities and powers of observation for the rest of their lives.
Curated by Judith Bettelheim
Organized by the San Francisco State University Fine Arts Gallery
AFROCUBA: Works on Paper, 1968-2003 is a groundbreaking exhibition of fifty-six prints and drawings by twenty-six artists from Havana and Santiago de Cuba. The artists in this exhibition represent a cross section of Cuban society, and their works exhibit a diverse range of subject matter, styles, and techniques, including lithographs, collographs, woodcuts, screen prints, and ink and crayon drawings. Organized thematically and following a loose chronological order, this exhibition is the first to focus on AfroCuban artists and themes through a historical-thematic lens—and the first time this work has been grouped together in a major exhibition outside of Cuba.
Curated by Linda Benedict-Jones and Barbara Hitchcock
Ansel Adams & Edwin Land: Art, Science, and Invention features pristine, one-of-a-kind black-and-white Polaroid prints made by Adams, lively correspondence between Adams and Land, humorous postcards, and rare examples of Adams’ early commercial work. The exhibition also presents more than 80 prints, including vintage enlargements of Adams’ famed images Moonrise, Hernandez, New Mexico (1941), andMoon and Half Dome, Yosemite National Park (1960), as well as five photomurals of the American landscape. In all, the works in this show demonstrate the uncommon beauty that can occur through the conjunction of science and art.
Edward Weston: Life Work is a 99-image survey of this great American artist, containing an outstanding grouping of vintage prints from all phases of Weston’s five-decade career. Previously unpublished masterpieces are interspersed with well-known signature images. A striking 1909 outdoor Pictorialist study of his wife Flora is perhaps Weston's first nude. A 1907 landscape features a cow skull in the Mojave desert and presages by thirty years his later interest in death in the desert. A smoky view of the Chicago River harbor, from 1916, pays homage to Coburn and Stieglitz, and anticipates the urban modernism famously captured by Armco Steel, Ohio, 1922, which marked Weston’s final break from the confines of Pictorialism and studio work, and the emergence of a sharply focused style.