Traveling Exhibitions

 

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American Art and Artists

Posing Beauty In
African American Culture

Paul Outerbridge:
New Color Photographs
from Mexico and California,
1948–1955

Civil War Drawings from the Becker Collection


Modern/Contemporary Art

The Apes & The Disciples:
Photographs by
James Mollison

Sight Unseen: International Photography by
Blind Artists

Martin Schoeller: Close Up

SurfLand: Photographs
by Joni Sternbach

A Complex Weave:
Women and Identity
in Contemporary Art

Cuba Avant-Garde:
Contemporary Cuban Art from the Farber Collection

Proto-Modern: Photographic
Innovation of the Russian
Avant-Garde, 1919-1939

Almost Alice: New Illustrations of Wonderland by Maggie Taylor

The Great Picture

André Kertész: On Reading


Artist Retrospectives

Yousuf Karsh:
Regarding Heroes


Architecture/Decorative Art

Julius Shulman:
Palm Springs Modern

Peter Shire:Chairs


History and Culture

E.O. Hoppé:
The Indian Subcontinent
on the Cusp of Change



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number of works:
50 total: 25 drawings and sketches; 22 photographs; 3 artifacts

frame sizes:
various

space requirements:
appx 200 linear feet
(61 linear meters)

tour dates:
June 2006 to June 2009

participation fee:
$12,500 for 6–8 weeks

support materials:
64-page exhibition catalogue; curator’s talk

see booking information

 

Hollyhock House and Olive Hill:
Frank Lloyd Wright and Edmund Teske

Hollyhock House and Olive Hill: Frank Lloyd Wright and
Edmund Teske
exhibition is organized by the City of Los Angeles Department of Cultural Affairs and is made possible by the generosity of Mr. David Devine


This exhibition presents more than two-dozen Frank Lloyd Wright (1867–1959) drawings for the legendary Olive Hill project in Hollywood, California, including Wright’s famed Hollyhock House, built in 1922. It also features twenty-two photographs of the site made by celebrated photographer Edmund Teske in the 1940s.

When Aline Barnsdall (1882–1946) commissioned Wright to assist with plans for her property, she had in mind a grand performing arts complex. She wanted to create an arts center with a performing arts theater, restaurant, artist studios and her residence. Her progressive vision is detailed in Wright’s sketches showing plans for many unrealized features of what was to have become the precursor of today’s community visual arts complex.<

Wright’s sketches detail her pioneering plans for what would have become the precursor for today’s community visual arts complex. The project was partly but never fully realized. Wright did design and build Hollyhock House (her private residence) and two additional buildings, Residences A and B. The first two still stand while the last was demolished in 1954. The sketches afford a glimpse into the mind of one of the most influential and popular architects of the twentieth century, and shed light on Barnsdall’s vision of the ideal arts facility

Some twenty years later, photographer and Chicago native Edmund Teske (1922–1996), came to Los Angeles. Teske had worked for Wright at Taliesen, and was eager to see the Olive Hill project. He met Barnsdall who invited him to live and work in Residence B where he resided from 1944 until 1949.

Teske’s photographs of Olive Hill from this period document the property and demonstrate his characteristic dreamlike style of composite imagery. The exhibition includes twenty-two of Teske’s photographs evoking the atmosphere of Wright’s Inca inspired design.<

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