Traveling Exhibitions

 

See All Exhibitions


American Art and Artists

Posing Beauty In
African American Culture

Sally Mann:
The Family and The Land

Paul Outerbridge:
New Color Photographs
from Mexico and California

Stefan Sagmeister: Things I have learned in my life

Yosuf Karsh:
Regarding Heroes


Modern/Contemporary Art

Uncanny Likeness: The
Contemporary Self-Portrait

Artists, Poets & Intimates:
Portraits of a Life
by Françoise Gilot

Modern Photography of the
Russian Avant-Garde

Almost Alice: New Illustrations of Wonderland by Maggie Taylor

The Great Picture

Cuba Avant-Garde:
Contemporary Cuban Art from the Farber Collection

Book of Lies:
Volumes I, II, and III

André Kertész: On Reading


Artist Retrospectives

Mythopoetic Seeing:
Twenty-Five Years of Photographs
by Elisabeth Sunday

SAGA: The Journey of
Arno Rafael Minkkinen
Thirty-Five Years of Photographs


Architecture/Decorative Art

Peter Shire: Chairs

Julius Shulman:
Desert Modern

Hollyock House and
Olive Hill:
Frank Lloyd Wright and
Edmund Teske


History and Culture

E. O. Hoppé:
The Indian Subcontinent
on the Cusp of Change

The Black & White Fifties:
South Africa Photographs by Jurgen Schadeberg

number of works:
50 total: 25 drawings and sketches; 22 photographs; 3 artifacts

frame sizes:
various

space requirements:
appx 200 linear feet

tour dates:
June 2006 to June 2009

participation fee:
$12,500 for 6–8 weeks
plus prorated shipping

support materials:
64-page exhibition catalogue; curator’s talk
by arrangement

see booking information

 


Hollyhock House and Olive Hill:
Frank Lloyd Wright and Edmund Teske

Hollyhock House and Olive Hill: Frank Lloyd Wright and
Edmund Teske
exhibition is organized by the City of Los Angeles Department of Cultural Affairs and is made possible by the generosity of Mr. David Devine


This exhibition presents more than two-dozen Frank Lloyd Wright (1867–1959) drawings for the legendary Olive Hill project in Hollywood, California, including Wright’s famed Hollyhock House, built in 1922. It also features twenty-two photographs of the site made by celebrated photographer Edmund Teske in the 1940s.

When Aline Barnsdall (1882–1946) commissioned Wright to assist with plans for her property, she had in mind a grand performing arts complex. She wanted to create an arts center with a performing arts theater, restaurant, artist studios and her residence. Her progressive vision is detailed in Wright’s sketches showing plans for many unrealized features of what was to have become the precursor of today’s community visual arts complex.

Wright’s sketches detail her pioneering plans for what would have become the precursor for today’s community visual arts complex. The project was partly but never fully realized. Wright did design and build Hollyhock House (her private residence) and two additional buildings, Residences A and B. The first two still stand while the last was demolished in 1954. The sketches afford a glimpse into the mind of one of the most influential and popular architects of the twentieth century, and shed light on Barnsdall’s vision of the ideal arts facility .

Some twenty years later, photographer and Chicago native Edmund Teske (1922–1996), came to Los Angeles. Teske had worked for Wright at Taliesen, and was eager to see the Olive Hill project. He met Barnsdall who invited him to live and work in Residence B where he resided from 1944 until 1949.

Teske’s photographs of Olive Hill from this period document the property and demonstrate his characteristic dreamlike style of composite imagery. The exhibition includes twenty-two of Teske’s photographs evoking the atmosphere of Wright’s Inca inspired design.


Image:
Frank Lloyd Wright, Perspective, Community Playhouse, The Little Dipper (West facade), 1923, graphite and colored pencil on paper. Courtesy of the City of Los Angeles Department of Cultural Affairs.

 

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email | call Robin McCarthy at 626.577.9696 extension 300