Traveling Exhibitions

 

See All Exhibitions


American Art and Artists

Posing Beauty In
African American Culture

Sally Mann:
The Family and The Land

Paul Outerbridge:
New Color Photographs
from Mexico and California

Stefan Sagmeister: Things I have learned in my life

Yosuf Karsh:
Regarding Heroes


Modern/Contemporary Art

Uncanny Likeness: The
Contemporary Self-Portrait

Artists, Poets & Intimates:
Portraits of a Life
by Françoise Gilot

Modern Photography of the
Russian Avant-Garde

Almost Alice: New Illustrations of Wonderland by Maggie Taylor

The Great Picture

Cuba Avant-Garde:
Contemporary Cuban Art from the Farber Collection

Book of Lies:
Volumes I, II, and III

André Kertész: On Reading


Artist Retrospectives

Mythopoetic Seeing:
Twenty-Five Years of Photographs
by Elisabeth Sunday

SAGA: The Journey of
Arno Rafael Minkkinen
Thirty-Five Years of Photographs


Architecture/Decorative Art

Peter Shire: Chairs

Julius Shulman:
Desert Modern

Hollyock House and
Olive Hill:
Frank Lloyd Wright and
Edmund Teske


History and Culture

E. O. Hoppé:
The Indian Subcontinent
on the Cusp of Change

The Black & White Fifties:
South Africa Photographs by Jurgen Schadeberg

number of works:
81

frame sizes:
various

space requirements:
appx 250 linear feet
(76 meters)
includes sequence and installation plan

tour dates:
2008 through 2011

participation fee:
$7,500 for 6–8 weeks

support materials:
Artists talk
Artist dialogic "Lies" dinner

see booking information

 


Book of Lies: Volumes I, II, and III

This project has been supported by grants from the
Foundation for Art Resources, the Southern California Institute
of Architecture (SCI-Arc), Public Access Press, the Graham Foundation, and the LEF Foundation


Comprised of 81 works by 78 artists in three volumes, The Book of Lies exhibition is the result of a 16-year art project conceived and organized by artist Eugenia Butler to explore private and public forms of deceit.

With works by artists Kim Abeles, Lita Albuquerque, Steve DeGroodt, Jill Giegerich, Seth Kaufman, Tom Marioni, Kim McCarty, Michael C. McMillen, John Outterbridge, and William T. Wiley, among others, this exhibition examines the lie as a human strategy using examples drawn from life situations including childhood, love, and war. Butler has conceived each volume as a collectively themed artwork examining particular kinds of lies.

The exhibition includes 3 sound works and 3 video works, including a project by participating artist, Madame X, that captures a series of dinners among Butler and her artist friends. In 3 Lies Dinners, Butler asks her guests to consider the questions, what is the lie with which I am most complicit, and what is the truth that most feeds my life? This work asks the viewer to contemplate how one can think and act clearly in a culture of lies, whether the deceptions are private or public.

A pioneer in the conceptual art movement of the late 1960s, Butler’s recent exhibitions include The Arc of an Idea, a retrospective survey of 35 years of work at the Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, and A Laboratory With Velocity, a 25-person conversation on the future that took place at the William Andrews Clark Library, UCLA, supported by the French government.


Image:
John Outerbridge, Untitled, 2004, collaged small box sculpture, mixed media, 3 x 2 x 1-1/2 inches.

 

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