Traveling Exhibitions

 

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American Art and Artists

Posing Beauty In
African American Culture

Sally Mann:
The Family and The Land

Paul Outerbridge:
New Color Photographs
from Mexico and California

Stefan Sagmeister: Things I have learned in my life

Yosuf Karsh:
Regarding Heroes


Modern/Contemporary Art

Uncanny Likeness: The
Contemporary Self-Portrait

Artists, Poets & Intimates:
Portraits of a Life
by Françoise Gilot

Modern Photography of the
Russian Avant-Garde

Almost Alice: New Illustrations of Wonderland by Maggie Taylor

The Great Picture

Cuba Avant-Garde:
Contemporary Cuban Art from the Farber Collection

Book of Lies:
Volumes I, II, and III

André Kertész: On Reading


Artist Retrospectives

Mythopoetic Seeing:
Twenty-Five Years of Photographs
by Elisabeth Sunday

SAGA: The Journey of
Arno Rafael Minkkinen
Thirty-Five Years of Photographs


Architecture/Decorative Art

Peter Shire: Chairs

Julius Shulman:
Desert Modern

Hollyock House and
Olive Hill:
Frank Lloyd Wright and
Edmund Teske


History and Culture

E. O. Hoppé:
The Indian Subcontinent
on the Cusp of Change

The Black & White Fifties:
South Africa Photographs by Jurgen Schadeberg

number of works:
45

frame sizes:
24 x 24 to 40 x 40 inches
(50 x 50 to 100 x 100 cm)

space requirements:
appx 250 linear feet
(76 linear feet)

tour dates:
Fall 2008–2011

participation fee:
$7,500 for 6 to 8 weeks

support materials:
Publication of a new edition of Lewis Carroll’s Alice in Wonderland, featuring Taylor’s new illustrations, Modernbooks, (July 2008). The publication includes Carroll’s complete original text, as well as essays by Norman Holland, UFL Distinguished Professor in English, and Thomas Southall, Harn Curator of Photography.

see booking information

 


Almost Alice:
New Illustrations of Wonderland by Maggie Taylor

Organized by the Samuel P. Harn Museum of Art
University of Florida, Gainesville, Tom Southall, Curator


In recent years Maggie Taylor has emerged as one of the most accomplished and innovative masters of digital imaging processes. Almost Alice will be her first one-person museum exhibition and our planned national tour promises to bring new attention to this important talent.

Taylor’s composite images give fresh insight as a new set of illustrations for Lewis Carroll’s classic Alice’s Adventures in Wonderland. Using sources ranging from snapshots to 19th-century daguerreotypes and tintypes, she constructs fantastic, surreal narratives. Although richly colored and dream-like in appearance, her use of photographic sources and digital manipulation retains a sense of the original photographic veracity, thus adding to the images’ surreal power. Her digital transformations bring out the fantasy and fantastic that is at the heart of Carroll’s playfully ironic writing.

Like Carroll’s beloved story, Taylor’s photographic prints have the potential to engage imaginative minds of all ages, delighting adults as much as children. Additionally, her inventive combination of digital processes and older sources provides inspiration to contemporary artists and photographers pushing the boundaries of new media.

Maggie Taylor is gaining increased national and international recognition as demonstrated by the recent publication of Landscape of Dreams (2006) and Solutions Beginning with A (2007). She has had numerous one-person gallery exhibitions in the U.S. and this year is featured with her husband, Jerry Uelsmann, in two joint shows in Seoul and Beijing.


Image:
These strange adventures, 2006. Courtesy of the artist.

 

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