Traveling Exhibitions

 

See All Exhibitions


American Art and Artists

Posing Beauty In
African American Culture

Sally Mann:
The Family and The Land

Paul Outerbridge:
New Color Photographs
from Mexico and California

Stefan Sagmeister: Things I have learned in my life

Yosuf Karsh:
Regarding Heroes


Modern/Contemporary Art

Uncanny Likeness: The
Contemporary Self-Portrait

Artists, Poets & Intimates:
Portraits of a Life
by Françoise Gilot

Modern Photography of the
Russian Avant-Garde

Almost Alice: New Illustrations of Wonderland by Maggie Taylor

The Great Picture

Cuba Avant-Garde:
Contemporary Cuban Art from the Farber Collection

Book of Lies:
Volumes I, II, and III

André Kertész: On Reading


Artist Retrospectives

Mythopoetic Seeing:
Twenty-Five Years of Photographs
by Elisabeth Sunday

SAGA: The Journey of
Arno Rafael Minkkinen
Thirty-Five Years of Photographs


Architecture/Decorative Art

Peter Shire: Chairs

Julius Shulman:
Desert Modern

Hollyock House and
Olive Hill:
Frank Lloyd Wright and
Edmund Teske


History and Culture

E. O. Hoppé:
The Indian Subcontinent
on the Cusp of Change

The Black & White Fifties:
South Africa Photographs by Jurgen Schadeberg

number of works:
120

frame sizes:
108 of 20 x 24 inches and
12 of 40 x 50 inches

space requirements:
500 linear feet

tour dates:
Summer 2008–2010

participation fee:
$12,500 for 6–8 weeks

support materials:
SAGA The Journey of Arno Rafael Minkkinen.
Essays by A. D. Coleman, Arthur C. Danto and
Alan Lightman. Chronicle Books (2005).
The artist and co-curators are available for lectures and related events

see booking information

 


SAGA: The Journey of Arno Rafael Minkkinen
Thirty-Five Years of Photographs

This exhibition is offered by Curatorial Assistance in association with Foundation for the Exhibition of Photography (FEP), Minneapolis/Paris. Curated by A.D. Coleman and Todd Brandow. Organized by Foundation for the Exhibition of Photography (FEP), Minneapolis/Paris


For over three decades, Arno Minkkinen has made fantastical self-portrait photographs of his nude body located in the landscape. In them, the artist’s long sinewy body is made to look like a tree, rock or ground as he plays on the ambiguity of the human body as a sculptural element in the great outdoors. We see fragments of his body; legs, shoulders, arms, back, thighs—but hardly ever his face—set in, on or over the land, often near or in water, and usually in his native Finland.

In this exhibition we join Minkkinen on his playful journey, seeing through his eyes how a figure might walk on water, float in space, or hold the moon with its fingers. We shed earthly limitations, transcending the boundaries between earth, sky, water and air. We defy gravity. We dissolve into a lake and envelope the cosmos.

A veteran of 1970s performance art, Minkkinen rightly enjoys a reputation as one of Europe’s leading conceptual photographers. This is the first comprehensive overview of the artist’s seminal imagery.


Image:

Self-portrait, Narragansett, Rhode Island, 1973

 

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