Traveling Exhibitions

 

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American Art and Artists

Posing Beauty In
African American Culture

Paul Outerbridge:
New Color Photographs
from Mexico and California,
1948–1955

Civil War Drawings from the Becker Collection


Modern/Contemporary Art

The Apes & The Disciples:
Photographs by
James Mollison

Sight Unseen: International Photography by
Blind Artists

Martin Schoeller: Close Up

A Complex Weave:
Women and Identity
in Contemporary Art

Cuba Avant-Garde:
Contemporary Cuban Art from the Farber Collection

Proto-Modern: Photographic
Innovation of the Russian
Avant-Garde, 1919-1939

Almost Alice: New Illustrations of Wonderland by Maggie Taylor

The Great Picture

André Kertész: On Reading


Artist Retrospectives

Yousuf Karsh:
Regarding Heroes


Architecture/Decorative Art

Julius Shulman:
Palm Springs Modern

Peter Shire:Chairs


History and Culture

E.O. Hoppé:
The Indian Subcontinent
on the Cusp of Change






 

 

 

number of works:
111 photographs, 8 tactile illustrations

frame sizes:
From 8 x 10 in (20 x 25cm) to 48 x 57 in (121 x 144cm)

space requirements:
420 linear feet (130 linear meters)

tour dates:
Fall 2009–2013

participation fee:
Medium

support materials:
Exhibition catalogue

see booking information

 


Sight Unseen: International Photography by Blind Artists

Douglas McCulloh, Curator


Sight Unseen, the first major exhibition of work by the world’s most accomplished blind photographers, explores the idea that blind photographers can see in ways that sighted people cannot.

Many of us, with sight leading as our dominant sense, use images to build our world. Visual information is practical to our survival and yet it has become pervasive in our world. We respond to visual overload by shuttering and narrowing our perception, a form of self-inflicted blindness, so as to rebalance our senses. But for the sight-impaired artists in this exhibition, the act of making a photograph has provided new ways of seeing.

These artists employ diverse strategies in their work. Some use the camera to present their own inner visions. Some capture the outside world unfiltered with a non-retinal photography of chance. And a number of the artists, legally blind but retaining a limited, highly attenuated sight, photograph to capture the outside world and bring it into their realm.

In his novel Blindness, José Saramago writes, "Perhaps only in a world of the blind will things be what they truly are." Beethoven composed music without the ability to hear, blind Milton and Homer conjured the landscapes of the heavens and the underworld, and the artists of Sight Unseen further explore our definitions of blindness and challenge us to reevaluate what it means to see.

Sight Unseen: International Photography by Blind Artists is curated by Douglas McCulloh and was originated by UCR/California Museum of Photography, an affiliate institution of ARTSblock, the University of California, Riverside, and toured by Curatorial Assistance, Pasadena, California.

Artists:
Ralph Baker, New York, New York
Evgen Bavcar, Paris, France
Henry Butler, New Orleans, Louisiana
Pete Eckert, Sacramento, California
Bruce Hall, Irvine, California
Annie Hesse, Paris, France
Rosita McKenzie, Edinburgh, Scotland
Gerardo Nigenda, Oaxaca, México
Michael Richard, Los Angeles, California
Seeing With Photography Collective, New York, New York
Kurt Weston, Huntington Beach, California
Alice Wingwall, Berkeley, California

 

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