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In cooperation with The Ansel Adams Publishing Rights Trust, Curatorial Exhibitions is now booking Ansel Adams: Mountain, Water, Cloud, & Sea, a compelling exhibition of photographs drawn from the personal collection of Adams' granddaughter, jazz musician Virginia Adams Mayhew.
Featuring 43 works spanning the artist’s celebrated career, the exhibition brings together iconic photographs and rarely exhibited images that illuminate Adams' enduring vision of the American landscape. From the dramatic vistas of Yosemite Valley and the Sierra Nevada to scenes from across the United States, the exhibition showcases the extraordinary beauty and power of the natural world that inspired Adams throughout his life.
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In partnership with MUSEUM OF THE MOVING IMAGE in New York, Curatorial Exhibitions is now booking THE JIM HENSON EXHIBITION: MUPPETS & MORE!, a major international exhibition exploring the groundbreaking work of Jim Henson (1936–90), his legendary puppets, and his transformative impact on popular culture.
MUPPETS & MORE! features a rich range of objects from Henson's unparalleled career, including original puppets, sketches, storyboards, annotated scripts, and photographs, along with rare film and television content, an exclusive behind-the-scenes documentary, and two dynamic interactive experiences.
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In partnership with the USC Fisher Museum of Art, Curatorial Exhibitions is now booking Ken Gonzales-Day: History’s “Nevermade”, the first mid-career survey of Ken Gonzales-Day and one of the Los Angeles Times’ best exhibitions of 2025. Curated by Amelia Jones, the exhibition features more than 100 works spanning over three decades of Gonzales-Day’s practice across photography, drawing, painting, and film.
The exhibition’s title centers on Gonzales-Day’s concept of the “nevermade,” a term he coined to describe historical documents or visual narratives that omit or misrepresent the people and events. Referencing Marcel Duchamp’s idea of the “readymade,” Gonzales-Day reworks archival imagery and visual conventions to question how history is constructed, who is represented, and whose stories are left out. By placing the artist's major series in conversation for the first time, the exhibition reveals the enduring political and historical threads that connect his work across time and media.